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Ventnor Film Society
Film Programme January-April 2010 Download a pdf version of the programme by clicking here.
Tuesday Jan 19th 7.30 p.m. 35 Shots of Rum Lionel, a calm, dignified widower, works as train driver and lives in Paris with his daughter Jo. Their relationship is affectionate but sometimes emotionally fraught, partly because of the friends, neighbours and romantic interests that circle them. Denis explores this in a typically French way, with the kind of movie-language that is rich, quietly complex and subtle. The 35 shots of rum are considered to be the customary form of celebration for an outstanding event but Lionel does not let this happen until all tensions are resolved by the end.
Tuesday February 2nd 7.30 p.m. Encounters at the End of the World
Tuesday February 16th 7.30 p.m. Broken Embraces Broken Embraces feels like Almodóvar’s take on noir dramas of the 40s and 50s. Set in Madrid, it concerns Mateo, a former film director, now blinded and turned screenwriter. He is trying to piece together a tragic episode in his past: his doomed love affair with Lena (Penelope Cruz), a would-be actress and the mistress of Martel, a domineering millionaire. While using flashbacks and a labyrinthine plot, it is the sheer, gorgeous style of Broken Embraces which is so seductive; Almodóvar conjures a vivid palette of colours which have the texture of something by Hitchcock, but his handling of the material is so confident and distinctive that it goes way beyond pastiche.
Tuesday March 2nd 7.30 p.m. Fish Tank Mia is a troubled 15 year-old Essex girl at war with everything: her family, her school, the girls on her estate. Her one release is dancing, a passion that she practices in secret. To complicate matters, Mia is attracted to her mother’s new boyfriend, Connor. But whilst Mia has issues with the notion of family, Connor’s are more complex: his secrets are shabbier and more poisonous than Mia or her mother could have realised. What makes the relationship between Mia and Connor so transgressive is not their sexual attraction for each other but their delusional longing to be father and daughter. There are visually stunning views of the Essex countryside in what is eventually a film of tenderness and hope.
Tuesday March 16th 7.30 p.m. Welcome A gripping French contribution to movies about exile and refugees, this centres on the friendship between a swimming instructor in Calais municipal baths and Bilal, a 17 year old Iraqi Kurd bent on swimming the Channel to be reunited with his girlfriend in London. Central to the story is the way in which both the illegal immigrants and the French citizens who run risks to help them are treated by French officialdom. Lioret said, "We decided to make the film when we heard that refugees really had tried to swim the Channel”. He chose to set the drama in Calais because it resembled "our version of the Mexican border".
Tuesday March 30th 7.30 p.m. Fugitive Pieces Stephen Dillane plays Jakob, a Canadian writer encouraged by his girlfriend Alex to explore his locked-away past. His family were murdered by the Nazis in wartime Poland and Jakob was rescued and taken to Greece by an archaeologist who found him hiding in the forest, close to death. The action cross-cuts between Jakob’s childhood and adulthood; as Jakob delves deeper into his memories, his present-day dysfunctions are healed. Anne Michael’s award-winning novel is adapted here into an affecting drama. Handsomely shot and thoughtfully acted, the film is a touching testimony to the power of remembrance and redemption.
Tuesday April 13th 7.30 p.m. Séraphine This tells the extraordinary true story of French naïve painter Séraphine Louis, aka Séraphine de Senlis (1864-1942), a humble servant who became a gifted self-taught painter. Discovered by prominent critic and collector William Uhde, she came to prominence between the wars, grouped with other naïve painters like Henri Rousseau, only to descend into madness and obscurity with the onset of the Great Depression and World War II. Provost unearths this marginal figure to offer a poignant salute to a life on the fringes. The film raises highly topical questions about sudden fame and its effects.
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![]() 35 Shots of Rum ![]() 35 Shots of Rum ![]() 35 Shots of Rum ![]() Encounters at the End of the World ![]() Encounters at the End of the World ![]() Encounters at the End of the World ![]() Encounters at the End of the World ![]() Broken Embraces ![]() Broken Embraces ![]() Broken Embraces ![]() Fish Tank ![]() Fish Tank ![]() Fish Tank ![]() Welcome ![]() Welcome ![]() Fugitive Pieces ![]() Fugitive Pieces ![]() Fugitive Pieces ![]() Séraphine ![]() Séraphine ![]() Séraphine |
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Supported by the Southern Co-operatives Foundation, the Isle of Wight Charitable Trust, Ventnor Partnership and Ventnor Town Council |